[Editor's Note: We have updated this review to reflect our experiences with Armello's Nintendo Switch version]

Armello's hybrid of tactics, dice-rolling, and political intrigue has aged better than expected in the three years since its release, and on Nintendo Switch, the game is almost as formidable as it is on PC. Its charming blend of animal kingdom hijinks and turn-based strategy gameplay has yet to be replicated by a newer, flashier title; Armello has definitely held up well, and its uniqueness is undeniable. However, there are a few major differences between PC version and Switch releases, and not all of them are positive.

The most important distinction is the fact that the Switch version includes all of Armello's DLC content. The Complete Edition of the game includes a bunch of morally-grey heroes, seasonal effects, and a whole new clan to contend with. While the base game has a fair amount of material to keep you occupied, a criticism of the launch content was that particular victory styles were incentivized over others. At their core, the DLC packs attempt to address that by expanding your potential champion pool with heroes that operate very differently from the original ones in the base game.

Luckily, the champion pool increase is more than just a numbers game. The Usurpers DLC in particular has heroes which are brimming with devilish personality, along with playstyles that revolve around more than the just original victory avenues of skirmishing and keeping a death grip on the King's coffers. The Bandit Clan DLC adds around 50 new quests specific to this charismatic new faction, along with a thematically-appropriate follower that gives risk-taking players a second chance when taking up arms against their competition. The other DLC packs focus on mostly aesthetic and minor upgrades to dice variety, but they're still notable improvements on the range of material that was initially available.

The unfortunate change to the Switch version is the performance. Unlike the DLC additions that are, on the balance of things, a net positive, Armello doesn't run as nicely on Nintendo's console as it does on other platforms. It's not the sort of frame rate drop that makes the game unplayable by any means, but there's a clear disruption in the smoothness and timeliness of actions and animations that play out on the screen when you're in-game. This isn't something that you can attribute to online connection troubles either; some graphical degradation was experienced in playing against the AI in the Prologue segments, which in itself contained condensed elements of the game's mechanics. If you can put that to one side, then Armello's unique blend of strategy makes it a worthy pick-up on Switch. -- Ginny Woo, 10/16/2018

[Original review text follows below]

When you don't have three friends and some reasonably good beer to keep you engaged, a board game--especially a virtual recreation of one--has to work a lot harder to hold your attention. Armello accomplishes this and then some, and while it could use some fine tuning, it remains one of the best virtual board game experiences available.

At first glance, Armello can feel like a tangle of things--dice and cards and boards and coins and stats--but the quick four-part prologue does a good job of making sense of these pieces. Your primary actions include moving a character around the board to complete quests and avoid hazards. There are eight playable characters, and each character has different strengths, weaknesses, and abilities in addition to items they can equip to skew their stats in a slightly different direction. They also each have great-looking combat animations. Ever wish Disney's Robin Hood had 40% more bears punching each other senseless? Well, this game is for you!

To win in Armello, you have to either kill the king or have the highest prestige when the monarch dies due to a disease called the rot. Every full day--one turn for day and one turn for night--the King's health dwindles lower while his rot creeps higher, so no matter how things shake out, there are a finite number of turns that can be taken before the King will keel over on his own. It's also possible to defeat the King in combat, either by gathering four spirit stones from quests or tiles, or gaining a higher rot level than him. If a would-be assassin fails, the victory will automatically be handed to the prestige leader. Unless you're playing against clever friends, a prestige victory is almost always the easiest way to win. This can make the game feel unbalanced, especially when playing against AI opponents that frequently make ill-advised assassination attempts. That said, if you can resist the siren song of an easy victory or have other players wanting to spoil your plans, the varied win conditions provide enough variety to accommodate different play styles and keep things spicy through multiple sessions of playing with friends.

You also have a hand of cards--which are as well-animated as the characters themselves--that can be anything from equippable items and followers to spells and tricks that can be applied to yourself, other actors on the board, or specific tiles. Imagine if you could slam your Hearthstone deck down on a Clue board and swarm Professor Plum with Murlocs, and you have an accurate idea of just how neat this is in practice. Cards all have different costs to play, and crucially, they can be played regardless of whose turn it is. This allows for some tense moments and sharp twists in matches with other human players. On the other hand, when it comes to the A.I. opponents, the game tends to jump around a bit too fast to take full advantage of that ability unless you're particularly quick on the draw.

What Armello suffers from most is a lack of customization options, something it could have stood to learn from more-traditional strategy games. There's no way to define whether you want a quick or a long game, A.I. skill levels are static, and when you're playing with friends, you're bound to a move timer whether you like it or not. Graphics controls are also somewhat limited, which means that you won't be able to turn off the haze of clouds in the sky, which would be dlightful if you didn't have to look down through them when you zoom out to see the full board.

Armello picks and chooses a variety of elements from board, card, 4X, and role-playing games without demanding either a familiarity with or a fondness for any genre. It also leaves a lot of room to engage as deeply as you want with the game's guts without feeling like you're floundering if you don't. Whether you're bumbling your way to the top or playing all your cards right, Armello makes regicide ridiculously entertaining.

Starlink: Battle for Atlas is a game about flying through space, exploring new planets, and shooting a lot of aliens. Set in a seamless open-world galaxy, it sees you pushing back occupying forces by battling enemies, setting up outposts, and completing simple tasks set by your allies. For better and worse, it's a distinctly Ubisoft game, from the huge spaces (seven separate planets and the vast depths of space that separate them) to the maps overloaded with activities. But thankfully, Starlink is not quite so full that it feels bloated--just full enough so that there's always something for you to be working towards.

Starlink is also Ubisoft's entry into the toys-to-life market--you're able to buy physical packs of pilots, weapons, and ships, all of which are interchangeable and have their own unique attributes and abilities. Constructing and attaching these models to your controller using a specialized mounting device will give you access to those characters and tools in-game, and while swapping between all these components isn't necessary, doing so brings distinct advantages.

Starlink's combat is fun thanks to simple controls and the two weapon system--different enemies are weak against or impervious to different weapon types, and swapping the two weapons mounted on your ship will change your methods of attack and the kinds of elemental combos you can perform. Using a stasis missile on an enemy so that they float helplessly in mid-air, then setting them alight with a flaming minigun, never gets old. Every weapon can be leveled up individually and augmented with mods that you collect, so by the end of the game, your most-used guns will likely be able to absolutely rip through certain enemies, provided you have the foresight to equip them.

When you're grounded on a planet, you'll be doing a lot of strafing and aiming for big glowing weak points, whereas fights in space are more freewheeling, with dogfights often pitting you against swarms of enemy fighters. These feel like all-range mode battles from Star Fox, and swinging around to land a precision assault on an enemy (often thanks to the game's rather generous auto-aim) is satisfying every time. The controls for each ship are the same, but there are minor differences between them; a light ship is better for maneuvering through a delicate situation on the ground, for instance, while a heavier ship can take more hits during battles.

Like weapons, each pilot has their own upgrade tree and unique special ability, and they even get their own unique script during missions, which is a great touch. There are only a few big story-driven missions, and in the back half of the game, you're given some freedom as to how you go about weakening the enemy forces. There's an order of operations in each sector of space--clear out mining sites guarded by enemies to weaken 'Primes,' which are big robot monsters on each planet. Killing Primes on planets that are near each other will weaken a related Dreadnaught, a giant spaceship that will, in turn, produce more Primes if you don't take it out too.

The one drawback to this structure, though, is that you're essentially taking on the same kinds of fights with occasional difficulty spikes. Taking out the game's three Dreadnaughts will make the final boss easier, and you can theoretically take on a Dreadnaught at its maximum strength regardless of how under-leveled you are. It's repetitive, but you also get a good sense of your progression, and the feedback loop of loot and rewards hits a good balance where you rarely feel like you're stuck grinding. The battles might repeat a lot, but they're consistently entertaining, and figuring out the best way to take down a huge enemy with the tools you have on hand is a satisfying challenge. The Dreadnaughts are particularly fun to take down--every time you take out one of their mounted guns a swarm of enemy ships will attack, leading to the game’s most intense dogfighting, and each encounter ends with a Star Wars-inspired "fly into the center and destroy the core" sequence.

If you're playing on Nintendo Switch, you'll have access to Fox McCloud and his Arwing. He can call in one of the other members of Star Fox, complete with the Corneria theme from the original game, and if you're a fan it's very tempting to play as him the entire time. The Switch version consistently runs smoothly, although there's a visual trade-off. The planets are not particularly detailed, everything's a little fuzzier in handheld mode, and there's a lot of pop-in--it's weird to have an asteroid belt suddenly appear in front of you when you're flying towards a planet.

But the Star Fox fan service throughout the game is a great bonus, especially in the mini five-mission campaign in which the team hunts down long-time antagonist Wolf O'Donnell. Wolf is a much more interesting enemy than Andross, as it turns out, and while this campaign is short it feels true to the spirit of the series. Fox and his team get integrated into the rest of the game, too, popping up in cutscenes with the rest of the Starlink crew.

Unfortunately, the game's primary plot--which concerns a crew of adventurers trying to save their captured captain and take down the "Forgotten Legion" forces led by an alien named Grax--is much less exciting. Strangely, despite Battle For Atlas being the first and only existing game in the Starlink series, the script feels as though it's written for players who have a pre-existing relationship with these characters and their situation, meaning that there's not much in the way of pathos or catharsis to be found. Some of the characters are interesting, but even though the game is keen to throw lore at you there's little sense of who these characters are, what sort of universe they exist in, or even what their fundamental role is beyond needing to take down this enemy force.

Despite this, it's always clear what your overarching objectives are and how you need to work towards them. There's a lot that you can be doing at any given point--even in the vastness of outer space, there are wrecks to salvage gear from and enemy outposts to take down. Wrecks can be identified from their flashing beacons and usually contain loot, while outposts are added to your map as you chase outlaws from planets. Exploring the depths of space reveals plenty of neat loot and fun encounters and the thrill of taking off from one planet, seamlessly flying into space, and landing on another never gets old.

But Starlink's proposition as a toys-to-life product is hampered somewhat by the comparative financial value of the digital alternative. The physical starter pack varies in content between consoles, but they each give you far less than both the starter and deluxe digital versions, which unlock multiple ships, pilots, and weapons from the get-go. If you get the physical starter pack and don't want to buy additional toys you can still finish the game, but you'll be at an enormous disadvantage.

Having multiple ships in Starlink essentially operates as having extra lives--if you get wrecked during a battle you can choose to either quit or replace the ship immediately. If you don't have a replacement, certain battles are going to be a real struggle, and progress doesn't carry over when you come back to them. It's easy to lose a ship, too, especially since your defensive options during fights are often limited--you can summon a shield or barrel roll, but both eat into your limited energy supply, which takes a while to recharge. The digital starter pack gives you four ships (five on Switch), which feels fairer and lets you worry less during big battles. Between ships and weapons (pilots are less vital), you'd have to buy quite a few toys if you wanted a varied and balanced experience.

The ship models themselves look great, though, and while switching loadouts via the menus is always going to be the more convenient option, physically swapping out the components will pause the game the until your ship is completely decked out again. Changing pilots will require you to remove the entire ship first, but that's only a minor pain--the only real impediment is being able to remember which weapon does what by sight, but their designs are distinctive enough that this isn't an issue once you get accustomed to it to them.

Starlink is an interesting and enjoyable open-world game, one that fully understands the appeal of exploring new planets and dogfighting in the cold depths of space. With a small fleet of ships at your disposal, it can be a lot of fun to progressively assault and weaken the Forgotten Legion's hold on the galaxy. It's just a shame that if you're interested in the physical models, you'll have to spend more to get the same experience as the digital version.

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With new Kick Off modes and some welcome on-pitch enhancements, as well as the ever-engaging Ultimate Team and now the Champions League license, FIFA 19 is the most complete football video game package available. Sadly, Career Mode and Pro Clubs remain stale and are in dire need of a refresh. Regardless, FIFA is closer to representing Sky Sports' vision of football than ever--for better and for worse.

FIFA has struggled on the pitch in its past few iterations, with matches deteriorating to frustrating slogs. For years we've been unable to play FIFA like football is played in real life--instead we've been zig-zagging the ball up the pitch and abusing pacey wingers to breach the opponent's defence to swing in an unstoppable cross for an equally unstoppable header. FIFA 19's matches are more natural and more varied in the way they unfold, in large part because EA finally has all the pieces needed to make it so. Although it introduced a slower pace in FIFA 18, the newest iteration finally makes this work by tightening up players' responsiveness. Through passes work again, and they (along with player pace) seem to be in a good place in terms of balance--neither under- nor overpowered, as has been the case for too long. FIFA 19's ball still doesn't feel as satisfying as PES 2019's, but it does at least feel something like the real-life sphere it's imitating.

FIFA 19 includes new tactical options for wannabe managers to fiddle with, such as how many players you want to commit at corner kicks and whether you want your full-backs to over- or under-lap. These are undoubtedly welcome, and tactical changes in your defensive technique--press after possession loss, constant pressure, and drop off are among five options on that front--make a tangible impact in-game, allowing you to further tailor your play style.

However, the much-vaunted new feature of game plans is a bit of a mess. You can set up different tactics for various in-game situations before a match and then quickly switch between them on the pitch, but any change to one game plan, including your default starting plan, is not automatically reflected in your other four plans. So say you decide to switch your wingers over for one particular match or tweak your formation to counter an opponent's star player; that change will be lost if you change to attacking or defensive during a match. This isn't a dealbreaker of course, but it inevitably ends with you spending more time in the team management menu, which is exactly the kind of admin work this feature should have eradicated. And despite the added depth of options, the vast majority of AI teams still behave in a broadly similar (and often unrealistic) way--Wigan Athletic managing to pass their way out of my press with sublime one-touch football was a difficult one to take.

FIFA's brand of football is more physical this year, with strength becoming a far more important stat and crunching collisions feeling much more realistic. You can see and feel players battling for the ball, and goalkeepers are not quite as invincible from crosses as in previous years. Long ball tactics are slightly more viable than last year as a result--including, mercifully, from free kicks--and it feels satisfying for your target man to knock one down for your striker to smash in from 12 yards. Despite this, and the new tactical options, there's still no way to determine which players go up for corners and free kicks, meaning your 6' 6" center-back will still frequently be found on the halfway line at set pieces rather than getting his elbows out in the box where he should be. Timed finishing attempts to add more depth to FIFA's pitchwork for expert players, and while it can be a little temperamental and fiddly, it does add a nice risk-reward layer to what was an afterthought run on muscle memory.

Meanwhile, EA's implementation of the newly-acquired Champions League and Europa League licenses is excellent, with the official branding, specific commentators, and authentic atmospheres adding to the feel of this being club football's biggest event. The competition has its own mode in FIFA 19, as well as implementation in The Journey, Ultimate Team, and Career Mode, and to its credit EA utilizes the license in a much more comprehensive way than Konami ever did.

Unfortunately, that's pretty much it in terms of new Career Mode features, and this is where FIFA 19 suffers. Career Mode is the most in-depth single-player mode remaining in FIFA, and yet it has seen almost no meaningful improvements for years. This year the mode has not been touched at all, save for the implementation of Champions League, and the cracks are showing. That means you get the same "Boss, I was hoping you might be experimenting with the team?" messages; the same bugs and problems (such as the inability to loan out newly purchased players); the same typos and grammar errors in news reports; and the same lack of depth when it comes to club strategies like hiring and firing of staff or stadium expansions. Similarly, Pro Clubs is exactly the same this year as it was in FIFA 18, and it's hard not to sympathize with those who speculate around EA's shifting priorities, given how much ongoing attention the microtransaction-driven Ultimate Team receives in comparison. Frankly, two modes as big and popular as these receiving no new features or even any quality-of-life improvements is unacceptable, and EA needs to up its game in this regard next year.

Kick Off is where most of EA's offline attention was focused this year, with the introduction of detailed stats and some interesting new sub-modes contained within House Rules. These allow you to turn off fouls and offsides, turn on the battle royale-like Survival Mode--in which a goal results in one of your players being sent off--or disallow any goal not scored from a header or volley. These modes are shallow, and being available in local play only is a baffling decision, but they offer a nice change of pace for when you're playing with a friend. It's surprising how much rewiring of your football-addled brain they require; after 23 years on this planet appealing for offsides, it's quite hard not to scream "REF!!!" at the TV when my brother scores his fourth of the game, even when the traditional rules have been thrown out.

FUT's major addition this year is a new sub-mode named Division Rivals, a replacement for the now-cut online seasons mode. It's another, shorter way to qualify for the FUT Champions weekend event, and it adds to the ever-growing and -evolving behemoth Ultimate Team has become. Otherwise, Ultimate Team remains largely the same year-over-year, but the mode's strength lies more in its constant live support over the course of a season, which is shaping up to be exemplary once again. Champions cards, limited-time packs, daily and weekly objectives, special events and tournaments--Ultimate Team has something to draw you in every week, and it is truly the lifeblood of FIFA 19.

The Journey's third year sees the conclusion of Alex Hunter's story, but sister Kim and best mate Danny Williams join him in a GTA V-like three-pronged story. You can switch between the trio to play their individual storylines at any point, though there is a recommended path to follow that keeps their narratives vaguely in line with each other. Each character also has their own special features, such as Alex's choice of mentor squad at Real Madrid (spoilers!) or Danny's choice of advert he wants to take part in. The Journey's scripting and acting isn't exactly outstanding, but it remains a unique way to play, and I hope EA continues it after this Champions League special episode concludes.

Ultimate Team has something to draw you in every week, and it is truly the lifeblood of FIFA 19.

As impressive as FIFA 19's recreation of broadcast football is, there are a surprising number of details that remain inaccurate. You still don't get a fourth substitute in extra time, for example, and the double jeopardy rule--where a red card cannot now be shown inside the penalty area if a player is deemed to have attempted to play the ball--is still not applied in FIFA, despite these law changes having been introduced over two years ago now. Transfer deadline day still comes on August 31 in Career Mode, despite English clubs having the earlier close date of August 9 this season, and many teams that are not deemed one of the "big" clubs do not get third kits or away 'keeper kits. When the rest of FIFA's presentation package is so impressive, it makes these smaller, incorrect details stand out, especially when they appear to require small tweaks to fix.

It's promising that EA is listening to its community. FIFA 19 is much more responsive on the pitch than last year, and the company continues to evolve FUT to keep it fresh. However, the lack of progress in Career Mode and Pro Clubs is sorely inadequate. Thankfully, The Journey's continued entertainment, FUT's long-lasting nature, and some inventive new Kick Off modes mean I'll likely still be playing FIFA 19 by the time next year's game rolls around.